Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, April 1, 2021

MTV promo graphics for Guns & Roses in Paris contest ('92-93) made by Beau Tardy on Quantel Harriet.

Sometimes the Art Director of on-air graphics at MTV, Chris Harvey, would put out an open call for a job that needed some extra attention and a fresh look. I really wanted to do this graphic open for a contest MTV was running. It was for tickets to a Guns & Roses Paris concert. I spent some time on this but it was shot down. I actually had a little argument with the Art Director over it, the one and only time we had a disagreement. It did not make it to air and I'm not sure what they ended up using. I guess I took it a little personal being that I am French...😏

Thursday, March 25, 2021

MTV Show Logos by Beau Tardy in 1992

MTV Show Logos designed by Beau Tardy
in the on-air graphics department at MTV in 1992.
During the regular course of daily duties at MTV as a designer in the on-air graphics and animation department, I was often tasked with coming up with logos for show opens. Often these would be animated, but sometimes the producer just needed a digital logo to take into an edit session and composite it with other footage. These were designed on Quantel V-Series Paintbox and Harriett. The better producers would come in and sit during the session while I designed the logos, others just phoned it in. Some producers became friends and we would spend countless hours in session coming up with great ideas for graphics. These logos are for the more typical MTV fare at the time and were used by the News or Promotions department for their shows. I don't know which ones of these actually made it to air simply because I couldn't afford cable at the time in my little shared tenement apartment on Ave. B in the Lower East Side. They payed us very little and worked us like crazy. But I was happy to get my work on MTV in front of millions of people. 

Wednesday, July 25, 2018

Tuesday, July 25, 2017

DizzyTV *New Summer Episode* Retro 80s! 😎📺✨

Watch a brand new episode of DizzyTV *free* on Youtube and Roku! 
80s Synthwave and Retrowave!

Featuring Rodney Hunter / #Text Message / VictoriaXRave / Midnight Star and so much more!

Monday, June 26, 2017

*Free Dizzy Poster Contest!*

Win a free Dizzy poster! Simply watch DizzyTV on your Roku and win. We will be giving away 10 free posters! Check out this awesome 16" x 19" poster featuring a cybertronic Dizzy The Cat ™!
19"x 16" Full Color Dizzy The Cat ™ Poster!
Designed by Deuce Custom Farm in Sydney, Australia.
This beautiful high quality full color offset printed poster can be yours for free by simply watching the coolest show on Roku! The rules are super simple:


  1. Add DizzyTV to your channel lineup on Roku by going to my.roku.com/add/dizzytv and using the passcode dizzytv. It's free!
  2. Watch the free shows on DizzyTV! Find out what the name is of the YouTuber featured on the Summer Retro 80s episode.
  3. Go to twitter.com/dizzytv. Follow us on twitter and DM the answer! That's it!
Please don't share the answer publicly on twitter ;D that would just suck!

Poster may be shipped folded in an envelop. You will need to provide us with your mailing address and email. We will never share your information nor spam you with useless nonsense. You are too cool for that!

Thanks for watching DizzyTV!

disclaimer: this contest is not run by Roku and Roku has no responsibility in the outcomes of this contest.

Wednesday, April 26, 2017

Ghost In The Shell - Movie Review

Wow, how cool was that? I had no idea this movie would actually be this good! I was totally expecting a sub-par remake of the all time anime classic. After all who could possibly make anything half as brilliant as Mamoru Oshiis' animated masterpiece? Nobody of course. This redux has a lot going for it all the same. 


But first, the weak spots. The biggest fail of all time is the fact that Scarlett Johansson decided not to play this in the buff like the original anime robot. Instead she is fitted with a latex body suit which is a huge let down even if it allows the movie to be rated PG13. Why can't us adults get to see a movie with a naked robot? Just why?

The anime robot was naked. But you knew that!
Also why on Earth did director Rupert Sanders decide to start the movie with a 5 minute flashback sequence that is slow and bothersome instead of 'plunging' right in the way the anime does with Major's dive from the building roof?
This has the effect of blunting the noir dread that is supposed to infuse this cyberpunk epic. To that point, everything is a little bit too clean and well lit.
A little too clean.
Last but not least this movie is lacking a proper kick ass soundtrack. I mean Tron Legacy has Daft Punk, man! The original anime has a beautiful eerie theme song by Kenji Kawai but this film relegates it to the end credits... bad move. They should've gotten Deadmau5 to score this film!

Scarlett kicks ass!

Now on to the good bits! Scarlett Johansson looks freaking perfect as Major. She plays it well in a stiff human-machine hybrid way. (I still think she should have been naked - I mean just think of the publicity! Built-in ad campaign! Chickens, the lot of them... )


The evil Geisha robot is dope. I want that thing as a body guard! 
Batou played by Pilou Asbaek is awesome rad too. 

In the original anime his look was inspired by the Italian comic book character RanXerox who was another cyberpunk icon of the 80s.  

RanXerox classic 80s cyberpunk icon by Italian artist Liberatore.
Cyberpunk is a product of the 80s and Ghost In The Shell took a lot of cues from Blade Runner and Akira. The 80s were not a clean decade and the future looked grimy and dark. Millenials are too used to the sleek rounded corners and shiny surfaces of their asepticized iphones. Anyone remember using a pay phone on 42nd street in 1985? Any way I digress.


I saved the best part for last which are the awesome sfx and glitch tricks. I mean folks, augmented reality is coming and we better get used to navigating the third layer of VR holographic ads. Not to mention naked robots! 

 

I feel this version of Ghost In The Shell has staying power and will develop a bona fide cult following. Definite addition to my cyberpunk collection!
****

Thursday, March 9, 2017

Thursday, June 2, 2016

Wednesday, January 7, 2015

Ink is thicker than blood.

charlie-ink-sm


For an American audience, Charlie Hebdo is like a crossover between Mad Magazine and underground comix from the 60s, full of satire and sex. It’s as if Robert Crumb and Jon Stewart had just been gunned down during a board meeting at Comedy Central.


I lived in France and read Charlie Hebdo throughout my teens. So I am using the hashtags #JeSuisCharlie #IAmCharlieHebdo to show my support for fellow cartoonists and express my utter sadness at their brutal murders.


However this hashtag, while well intentioned, is misleading. For if everyone is ‘Charlie Hebdo’ then everyone is a victim, which is exactly what the terrorists want. But if ‘being Charlie’ means having the guts to stand up to censorship in ALL its forms, including having the right to poke islamic fanaticism in the eye, then I’m all for it. Unfortunately, I feel the opposite is beginning to happen.


London imam Anjem Choudary correctly said in defense of the Paris shootings: “If freedom of expression can be sacrificed for criminalising incitement & hatred, Why not for insulting the Prophet of Allah? #ParisShooting — Anjem Choudary (@anjemchoudary)”


His ironclad logic is unassailable in this world of political correctness and ‘tolerance’. When you outlaw ONE WORD, you potentially outlaw them all. When freedom of expression, WHATEVER IT MAY BE gets threatened, freedom of thought gets censored too.


People are already being jailed for saying something stupid on Facebook or posting videos. Professionals are being fired for their political or religious views. ‘Hate speech’ is a criminal offense. But who gets to determine what qualifies as hate speech? Does Anjem Choudary get to make that call? And if not, why not?


If it is NOT OK to use certain words, whichever they may be, whatever the context, then censorship has already begun. Cartoonists, writers, artists, thinkers will begin to self-censure in the name of tolerance to disguise their fear. This is already happening.


Certain thoughts and opinions become taboo and mental repression sets in, whether it be coerced or self-inflicted. History is littered with entire civilizations being brainwashed this way, ie: Nazism or Communism. This is not something new.


What is new is that our generation, from the mid 20th century until now, has never had to face a true war on the Western homeland. We have enjoyed over 65 years of peace, with no major disruption to our modern way of life.


It felt natural for me as a kid and a teenager to dream of becoming a professional cartoonist. In fact, I have based my whole life on believing that being an artist was a valid, useful and worthwhile profession. I went to art school, got jobs doing illustrations, TV graphics, magazine layouts, paintings, video installations, music concerts and my childhood dream: cartoons. Even though I have had to navigate economic ups and downs, I always believed being an artist was a good thing.


Now art has been weaponized. Artists are at the forefront of a cultural war.


Every artist is going to ask themselves if their art will offend. Some will seek out controversy as a shortcut to publicity but most others cower away and end up erasing their ‘provocative’ drawings. The net effect, I fear in the long run will be that fewer and fewer people will stand up for those who are genuine champions of free speech, like Charlie Hebdo.


So while it’s great to say #IAmCharlieHebdo, especially when everyone else is doing it, who will in the end be bold enough to risk everything to say something that is politically incorrect, or offensive to some, or ‘hate speech’?


I am an artist and I can’t answer that question.


Beau Tardy

Ink is thicker than blood.

charlie-ink-sm
For an American audience, Charlie Hebdo is like a crossover between Mad Magazine and underground comix from the 60s, full of satire and sex. It’s as if Robert Crumb and Jon Stewart had just been gunned down during a board meeting at Comedy Central.

I lived in France and read Charlie Hebdo throughout my teens. So I am using the hashtags #JeSuisCharlie #IAmCharlieHebdo to show my support for fellow cartoonists and express my utter sadness at their brutal murders.

However this hashtag, while well intentioned, is misleading. For if everyone is ‘Charlie Hebdo’ then everyone is a victim, which is exactly what the terrorists want. But if ‘being Charlie’ means having the guts to stand up to censorship in ALL its forms, including having the right to poke islamic fanaticism in the eye, then I’m all for it. Unfortunately, I feel the opposite is beginning to happen.

London imam Anjem Choudary correctly said in defense of the Paris shootings: “If freedom of expression can be sacrificed for criminalising incitement & hatred, Why not for insulting the Prophet of Allah? #ParisShooting — Anjem Choudary (@anjemchoudary)”

His ironclad logic is unassailable in this world of political correctness and ‘tolerance’. When you outlaw ONE WORD, you potentially outlaw them all. When freedom of expression, WHATEVER IT MAY BE gets threatened, freedom of thought gets censored too.

People are already being jailed for saying something stupid on Facebook or posting videos. Professionals are being fired for their political or religious views. ‘Hate speech’ is a criminal offense. But who gets to determine what qualifies as hate speech? Does Anjem Choudary get to make that call? And if not, why not?

If it is NOT OK to use certain words, whichever they may be, whatever the context, then censorship has already begun. Cartoonists, writers, artists, thinkers will begin to self-censure in the name of tolerance to disguise their fear. This is already happening.

Certain thoughts and opinions become taboo and mental repression sets in, whether it be coerced or self-inflicted. History is littered with entire civilizations being brainwashed this way, ie: Nazism or Communism. This is not something new.

What is new is that our generation, from the mid 20th century until now, has never had to face a true war on the Western homeland. We have enjoyed over 65 years of peace, with no major disruption to our modern way of life.

It felt natural for me as a kid and a teenager to dream of becoming a professional cartoonist. In fact, I have based my whole life on believing that being an artist was a valid, useful and worthwhile profession. I went to art school, got jobs doing illustrations, TV graphics, magazine layouts, paintings, video installations, music concerts and my childhood dream: cartoons. Even though I have had to navigate economic ups and downs, I always believed being an artist was a good thing.

Now art has been weaponized. Artists are at the forefront of a cultural war.

Every artist is going to ask themselves if their art will offend. Some will seek out controversy as a shortcut to publicity but most others cower away and end up erasing their ‘provocative’ drawings. The net effect, I fear in the long run will be that fewer and fewer people will stand up for those who are genuine champions of free speech, like Charlie Hebdo.

So while it’s great to say #IAmCharlieHebdo, especially when everyone else is doing it, who will in the end be bold enough to risk everything to say something that is politically incorrect, or offensive to some, or ‘hate speech’?

I am an artist and I can’t answer that question.

Beau Tardy

Saturday, November 15, 2014

New Jazzy Burn's Album • TV*5 tévé-cinque!